Bound To Create Theatre

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The Grace Project: SICK (Currently in Development)

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Canada’s foremost playwright Judith Thompson, fresh off her recent play, Body and Soul, embarks on a new theatrical journey utilizing a similar process for the world premiere of The Grace Project: SICK at the 2011 Next Stage Festival - January 6th-17th, 2011.

The play sets out to explore the many concepts and ideas relating to disability, illness, challenge, and what it means to be thought of as sick by the rest of the world.The Grace Project: SICK gives voice to young people who may otherwise be disenfranchised by their experiences; showing not only the pain and isolation but the joys and grace with which these remarkable young adults navigate and control their own destinies. The hope of the production is to seek, confront, and understand the many preconceptions about living with challenges, about otherness, and the overall concept of what it means to be labelled SICK.

From the voices and truths of these young adults, woven and crafted with Judith and a creative team of established artists; Lauren Brotman (Co-Creator/Assistant Director), Beth Kates (Production Designer), Jordi Mand (Script Coordinator), Jack Grinhaus (Producer) and Sarah Miller Garvin (Producer), the play offers a transcendent experience for actors and audience alike in this deeply textual and highly theatrical exploration that is, The Grace Project: SICK.



CAST
Jordan Balzan, Victoria Carr, Domanique Grant, Emma Mackenzie Hillier,Megan Dale Murray, Nicole Dale Murray, Krystal Hope Nausbaum,Adrian Rebucas,Tanya Rintoul, Nazmul Shaheed, David Shelley, Rebecca Solway, Malube Uhindugingala,and Lisa Waters

CREATIVE TEAM
Written & Directed by: Judith Thompson
Co-Created/Assistant Directed by: Lauren Brotman
Produced by: Sarah Miller Garvin and Jack Grinhaus
Production Design by: Beth Kates
Script Coordinator: Jordi Mand
Production Manager/Stage Manager: Scott Seetoo
Assistant Stage Manager: Blue Bigwood-Mallin
Assistant Designer: Mellissa Joakim
 
" The theatre will never find itself again… except by furnishing the spectator with the truthful precipitates of dreams, in which his taste for crime, his erotic obsessions, his savagery, his chimeras, his utopian sense of life and matter, even his cannibalism, pour out, on a level not counterfeit and illusory, but interior… It is not a question of suppressing the language, but of giving words approximately the importance they have in dreams. "
ANTONIN ARTAUD